Work Of Stanley Kubrick Film Studies Essay

Work Of Stanley Kubrick scene Studies EssayStanley Kubrick became an amateur photographer subsequently getting a camera as a gift. He became an associate photographer at mien Magazine after selling an photograph of a newsstand after Franklin Roosevelt. After several years as an photographer he went into moving pictures, directing and producing his comwork forcecement exercise piece entitled Day of the Flight in 1950. After this he went on to create two much documentaries entitled The Flying Padre and The Seaf atomic number 18rs . whence he started doing feature holds starting with Fear and Desire, a consider that he later sought protrude all prints of so that no one could watch them.A film is or should be more like practice of medicine than like fiction. It should be a progression of moods and feelings. The theme, whats behind the emotion, the meaning, all that comes later Stanley Kubrick almost of Stanley Kubricks films use music especially classical to develop an idea. As with Richard StrausssAlso sprach Zarathustra throughout the film 2001 A seat Odyssey. Classical music dominates the film and some argue that the music tells the story not the characters dialogue. The initiative and last 20 minutes of the film are consumed by classical music. A Clockwork Orange alike effectively uses classical music, the film focuses on Alex Delarge, portrayed by Malcolm McDowell, is a deviant who gets conditioned to go bad a functioning member of society. The government brainwashes Alex with the Ludovico treatment which conditions him to associate horrific crimes with his favorite symphony Beethovens 9th until the final scene where he discovers he is no longer under the treatments effect. sometimes Kubrick used music ironically like in A Clockwork Orange Alex sings Singing In the Rain while raping a woman in front of her husband. Andhis film Dr. Strangelove ends withimages of nuclear holocaust are accompanied by Vera Lynns recital of the WWII song Wel l Meet Again. The final scene in replete(p) Metal shiteet has the mesh hardened Marines singing the theme to The Mickey Mouse Club.One of his signature shots was The Glare a characters unrestrained breakdown is shown by a close-up shot of the actor with his head canted slightly down, but with his eyeball looking up usually directly into the camera. Kubrick also employed wide angle shots, character introduce shots, zoom shots, and shots down tall parallel walls.Entrapment is a theme of Kubricks films. The characters almost always succumb to their familiar demons or assailants. Alex DeLarge is rehabilitated as an ultra cherry thug with the help of the government. Jack Torrance is at last conquered by the overlook hotel. The doomsday gimmick drink downs everyone. Happy endings are clearly not acceptable in a Kubrickian fable. Visually, the classic corridor shot is the prize indicator of being completely overwhelmed and dwarfed by your surroundings. Its such a striking profic iency that communicates so much. valet vs. Technology the ultimate battle is to prove our graciousity is superior to machinery. Like with the conflict between HAL 9000 and the scientist.. the Ludivico technique in clockwork is again an effort to dehumanize alex by obliterating his primal rage through a exceedingly scientific and experimental technique. expert Metal Jacket was Kubricks take on the military turning men into killing machines. The sergeant finds Gomer in the bathroom and screams What is your malfunction as if he were not a human with severe emotional trauma, but a robot.Kubrickcommonly the theme of dehumanization because he was fascinated with the sliminess side of human nature and not because he thought all humans were basically evil. Some prime examples of his trend are The Shining, and Full Metal Jacket. These films explored dark side of the human psyche and the violent nature of human beings. The Shining is about a family that stays at a hotel during the off ep och to take care of the place. Jack Nicholson plays the father, Jack. Staying with Jack at the hotel is his wife and son. Their son, Danny, has a special psychic abilities which he calls shining.Jack in the end starts to go insane after spending a few months stuck inside a hotel with his family. As the film progresses we see Jack continually break down mentally until he finally snaps and tries to kill his family. The hotel where they stay is haunted and Jack begins to see things and people who arent supposed to be there. These supernatural entities are the ones that push Jack over the edge.He was already disturbed before he saw either ghosts but it was the ghosts that influenced him to kill his family. The isolation that Jack felt made him paranoid and he believed he had to kill his family because theywere trying to interfere with him and his job as the caretaker of the hotel.One camera shot in particular displayed jack up descent into madness. It is the glare shot which is a com mon shot in Kubrick films which tend to show a characters emotional meltdown by showing a close up of the actor with their head tilted down slightly and their eyes looking up straight into the camera. In the Shining, the glare shot occurs when Jack is staring out a window and viewing a snow covered ground. The camera behind zooms in on Jack who has demented look on his face.In the first half of Full Metal Jacket, the sergeant, played by R. Lee Ermey, is brutal to the trainees.One trainee in particular gets the brunt of the apply sergeants punishments. Nicked named close Gomer Pyle, who is played by Vincent DOnofrio, is overweight and slow which makes him a target of the drillinstructor. The whole point of the drillinstructor is to make the trainees capable of killing.The drill instructor pushes Pyle so hard that Pyle begins to go insane and eventually he shoots the drillinstructor and thenputs the gun to his head. The film shows how Private Pyle is systematically conditioned to run low a killer. He loses the innocence that he had before arrived at training campand becomes a psychotic killer who kills himself. The second half of the film jumps abruptly to Vietnam, following Joker played by Matthew Modinet. The film climaxes in a battle between Jokers platoon and a sniper hiding in the rubble, who is revealed to be a newborn girl. She almost kills Joker until his reporter partner shoots and severely injures her. Joker then kills her to put her out of her misery. This film was seen by some as a sad example of dehumanization in film.Many of Stanley Kubricks films were nominated for Academy Awards in various categories, including Best Picture forDr. Strangelove,A Clockwork Orange, andBarry Lyndon, and Best Director for2001 A Space Odyssey,Dr. Strangelove,A Clockwork Orange, andBarry Lyndon (seven overall nominations), and 2001 A Space Odysseyreceived numerous technical awards.He would be the first director to use the now oft used Steadicam .He would endlessl y researching his topics, and going on to produce documental style films that were shockingly real and acknowledged by the people who were there, especially with Full Metal Jacket, in which Lee Armey a distinguished military veteran served as technical advisor. Kubrick was notorious for his attention to detail. Reportedly, when works on The Shining he would sometimes film a scene a hundred times. His passion for perfection lead to the delay of some films and others were never made. Like the Napoleon film or the delays in filming Full Metal Jacket. The only film that Kubrick didnt have full auteur control over was SpartacusKubrick , Stanley Full Metal Jacket , 1987 , Warner Bros. Pictures.. 2001 A Space Odyessey 1968, The Shining, 1980, Warner Bros. Pictures A Clockwork Orange, 1972 Warner Bros. Pictures Dr. Strangelove, 1965 Columbia Pictures.. Barry Lyndon 1975, Warner Bros. PicturesRonson, Jon Stanley Kubricks Boxes, 2008 , World of WonderPipolo, Tony. The Modernist the Misanth rope The motion picture of Stanley Kubrick..CineasteSpring 2002 4-49.Patterson, David W.. American Music, Fall2004, Vol. 22 Issue 3, p444-474Ronson, Jon. The Guardian Newspaper Saturday 27 March 2004Perel, Zivah. Literature Film Quarterly, 2008, Vol. 36 Issue 3, p223-232Galenson, David W. Kotin, Joshua. Historical Methods, Winter2010, Vol. 43 Issue 1, p29-44